Every scene of your novel should focus on a specific viewpoint character. Regardless of which other viewpoint characters might be in the scene, the reader will be let in on the thoughts and feelings of this particular viewpoint character only. The scene itself will be written according to the perceptions and awareness of this character. [...]
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Of the various writing modes in The Marshall Plan® novel writing system, perhaps the least understood and most underused is summary mode. In summary mode you report your story action in a condensed, narrative form. You tell the reader what is happening rather than show it; there’s no blow-by-blow description of events as there would be [...]
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